Fredrick Turner

Reflections

Performance

  • What’s In Your Wallet?

    Everyday Carry (EDC) has become a ubiquitous selling point for magic tricks today. You’ll find it in ads and videos marketing the latest gadgets, downloads, and tricks. In the past before close up magic became close up magic, stuff magicians carried was simply called pocket tricks. If you think about it, EDC is another term… Continue reading

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  • Exploring Performance

    Magic, whether you consider it an art or a craft or, perhaps, both, only exists for a moment or two. The performer and the audience co-create an experience that triggers a reaction and an emotion. Magic doesn’t exist outside of the performance space between the performers and the participants. It’s relational. It doesn’t exist in… Continue reading

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  • The Phoenix: Volume 1 Number 1

    From January, 1942 through February, 1954, the Phoenix ran for 300 issues under the editorship of Walter Gibson and Bruce Elliott. It was the direct descendant of the Jinx which ended in December 1941 with the untimely death of Theodore Annemann. With two good friends, I spent a few years digging through the Jinx that… Continue reading

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  • Book Notes: Bert Allerton: Gentleman Magician

    Chicago area magician and author, Chuck Romero, quietly released his latest work without much fanfare. If I hadn’t been scanning through the latest posts on the Genii forum, I may have missed it. Romano previously released books on the life and work of Paul Rosini and the artwork and design of magic illustrations. Both works… Continue reading

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  • Minimum Requirements

    In the opening essay of Shattering Illusions, Jamy Ian Swiss states: When you fool the audience you indeed fulfill the essential mandate of your job. But you have in no way come even remotely close to completing the job-much less having done the job well.There must — simply must — be some larger end in… Continue reading

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  • Astonishment Is Our Natural State Of Mind

    In the December 1996 edition of Genii magazine, the cover featured Paul Harris. Paul has been instrumental in changing the state of close-up magic since the mid 1970’s. I wasn’t aware of him until the early 80’s after the release of Close-up Entertainer and Las Vegas Close-up. Since 1984 and the publication of Close-up Seductions,… Continue reading

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  • Performing for People

    While digesting this material, it is important not to become burdened with your knowledge of the method—it is vital that you perceive it through the eyes and mind of a layman (don’t think about what you are actually doing; concentrate on what an audience is thinking). I say this because magicians have a tendency to… Continue reading

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