Reflecting recently on the magic books I return to often, I realized that they tend to be ones that have a mix of effects and essays by the artist. The essays can be philosophical, advice, or an interview by the artist.
Here are a few examples (in alphabetical by artist):
The Magic of Michael Ammar – Michael Ammar: it’s hard to believe that this was originally published in 1991 but fortunately it’s been recently reprinted. The effects are strong and effective as they were 30+ years ago. The essays include how to make your magic more memorable, negotiating performance fees, and how to improve your magic.
The Eugene Burger library: this isn’t one book but all of the books from or about Eugene. All of them have great magic and practical advice that still applies today. You could start anywhere I suppose but the collection of his early works in Mastering The Art of Magic might be the best first step.
Secret Language Volume One – Helder Guimaraes: for some reason it doesn’t seem that many people know about this book. Perhaps it’s because it’s only available from Helder directly. It’s divided into three sections: sleights, effects and essays. The effects are sleights are playing card focused. A big heavy book with excellent photos. A copy recently popped up on eBay for around $400 but copies are still available from Helder for about $150.
Art of Astonishment Trilogy – Paul Harris: another one that is hard to believe they were published in 1996. When it came out, I had been a Harris supporter for nearly twenty years after I was shown a few effects from his Las Vegas Close Up and Close Up Entertainer by a magic friend in a long shuttered magic shop. I quickly found those two books and still perform effects from them today. When Mike Maxwell’s A-1 Magic released this set, it was a fast purchase. The three books are a chronological collection of Paul’s magic with a few essays by Paul and his friends. Each effect has a PHoot Note with thoughts and reflections by Paul.
Approaching Magic and Interpreting Magic – David Regal: published ten years apart, the books are amazing in the scope and depth of Regal’s magic. There’s close-up, platform, cards, coins, and mentalism mixed with essays and interviews. All of the magic is highly commercial as it comes from David’s own repertoire. It’s hard to believe that he has a day job and still able to develop so much magic.
I’m sure I’ve forgotten some other books so I’ll likely return to this topic again. If these volumes aren’t on your shelf, do yourself a favor and check them out as all are still available.
