Fredrick Turner

Reflections


Practice

  • Toni Forster on Magic Books

    Until recently I had not heard of Dr. Forster. I purchased Ted Lesley’s Paramiracles published by Hermetic Press book from a second hand dealer. It had come out about 30 years ago and, for some reason, hadn’t shown up on my radar screen. Dr. Forster was a friend and confidant of Lesley’s and, for a… Continue reading

  • Exploring Performance

    Magic, whether you consider it an art or a craft or, perhaps, both, only exists for a moment or two. The performer and the audience co-create an experience that triggers a reaction and an emotion. Magic doesn’t exist outside of the performance space between the performers and the participants. It’s relational. It doesn’t exist in… Continue reading

  • Minimum Requirements

    In the opening essay of Shattering Illusions, Jamy Ian Swiss states: When you fool the audience you indeed fulfill the essential mandate of your job. But you have in no way come even remotely close to completing the job-much less having done the job well.There must — simply must — be some larger end in… Continue reading

  • Question Our Conditioning

    In 1995, Hermetic Press published what ended up being a controversial book, Magic and Meaning. I don’t believe it was intended to be controversial by either the publisher nor the authors, Eugene Burger and Robert E. Neale. It was an extension of conversations that the authors had during their time together at the Mystery School… Continue reading

  • The Persistent Myth of Learning Styles

    It was probably in the mid-90’s that I first heard about learning styles. I was early in my time in the training and development department of a large nonprofit foundation. Our manager at the time introduced us to the idea of learning styles at a team retreat. Like everyone else, I went along with it.… Continue reading

  • Performing for People

    While digesting this material, it is important not to become burdened with your knowledge of the method—it is vital that you perceive it through the eyes and mind of a layman (don’t think about what you are actually doing; concentrate on what an audience is thinking). I say this because magicians have a tendency to… Continue reading

  • Scotty on Sleights

    It doesn’t seem that many remember Scotty York. He’s faded from memory as the magic culture shifted over the last decade or two. Like his counterparts Jamy Ian Swiss, Eric Mead, Steve Spell and Doc Eason, he was a bar magician. According to his biographical sketch on Genii’s Magipedia: Scotty York (1937-2012), known as “The… Continue reading