Learning
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Scotty on Sleights
It doesn’t seem that many remember Scotty York. He’s faded from memory as the magic culture shifted over the last decade or two. Like his counterparts Jamy Ian Swiss, Eric Mead, Steve Spell and Doc Eason, he was a bar magician. According to his biographical sketch on Genii’s Magipedia: Scotty York (1937-2012), known as “The… Continue reading
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What’s the Effect?
“The great difference between the professional magician and the amateur magician is that the professional magician knows what an effect is. He knows what the audience sees. It doesn’t matter how crude the method of performing-as long as the effect is good, he will use it. The amateur is more interested in the method. If… Continue reading
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Book Notes: Out of this Furnace
Originally published in 1941, Thomas Bell’s historic fiction novel detailed the life of three generations of Slovak immigrants who settled in the steel town of Braddock, Pennsylvania. Braddock is about 10 miles up the Monongahela River from Pittsburgh. Many know it as the home of Senator John Fetterman who started his political career as the… Continue reading
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Book Notes: Lesser Magic
I don’t believe I’ve spent as much time reading 68 pages as I have with John Wilson’s Lesser Magic. I have read and reread it several times since acquiring it a few months ago. “Reading a second time leading to a different shift than the first, the coordinates having shifted, the perspective experiencing them having… Continue reading
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Al Leech on EDC
How many times have you been to a party and had someone thrust a deck of cards upon you with the breathless request to “do a trick”? Not very often, probably. But when it happens, the shock is likely to drive from your mind all your painfully accumulated knowledge of pasteboard skullduggery. Al Leech, Cardmanship,… Continue reading
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Mixing It Up
Reflecting recently on the magic books I return to often, I realized that they tend to be ones that have a mix of effects and essays by the artist. The essays can be philosophical, advice, or an interview by the artist. Here are a few examples (in alphabetical by artist): The Magic of Michael Ammar… Continue reading
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Details
The small details in magic make a huge difference to the experience we are providing our audience. I like to say, when talking about magic, that it is an art form that relies on carefully controlled, yet broken, communication. It must be carefully broken so that the audience receives the correctly constructed message for the… Continue reading